POTTER – Encyclopedic Dictionary of Bible and Theology

Isa 29:16 will be reputed as the clay of the a
Jer 18:2 go to the house of the a, and there I will cause you to hear
Jer 18:6 can I not do .. like this to
Jer 19:1 go and buy an earthen pot from the a
Mat 27:7 bought with them the field of the
Rom 9:21 or has she no power over the clay
Rev 2:27 and they shall be broken as a vessel of a

manufacturer of clay vessels, which had different ritual, domestic and commercial uses, and as containers. Pottery was a common and important trade in ancient cultures, of which there are many vestiges, as well as documents on this activity, paintings, engravings, etc. Lev 14, 50; 1 R 17, 12; 2 Kings 4, 1-7. In Wis 15, 17, the a. who dedicated themselves to modeling statuettes for idolatrous purposes, a common activity among gentile peoples. In a figurative sense, Yahweh’s power is like that of a. on the clay that models Is 29, 16; 45, 9; 64, 7; Jer 18, 6; Rom 9, 20-21. Man is fragile like the clay used by the potter Ps 2, 9; Is 30, 14; 41, 25.

Digital Bible Dictionary, Grupo C Service & Design Ltda., Colombia, 2003

Source: Digital Bible Dictionary

see trades

Source: Hispanic World Bible Dictionary

Person who makes clay pots. Pottery is a craft known since ancient times (4000 BC). The A. The Israelite worked sitting on a bench and facing a horizontal wheel made in such a way that he could turn it with his feet. The clay was placed on top of the wheel. And while he turned the wheel he went with his hands giving that clay the shape he wanted. If one of the pots he made was not to his liking, he would break it to make another. Of special importance was the quality of the clay to be used. Usually the potter himself prepared that clay trying to make it have the optimum consistency for that type of work. To do this, the mud was stepped on many times, an action that is taken to illustrate the way in which the enemy of the N †œwill trample princes like mud, and as the a.† treads the mud† (Isa 41:25).

The work of an It is by nature brittle. That is why it is said of God and his enemies: † œAs a vessel of a. you shall break them in pieces† (Ps 2:9; Isa 30:14). The works done by the a. they speak of himself (Isa 29:16). The “handwork of the a.”, however, is not something precious (Lam 4:2). Israel is for God † œlike clay in the hand of the a.† (Jer 18: 6), in the sense that the Lord is sovereign and does his will with Israel, destroying it if it sins and building it up if it repents. Archaeologists have found remains of what were a. workshops, especially in †¢Megiddo and †¢Hazor.

Source: Christian Bible Dictionary

tip, OFIC TYPE The Bible says of the potter that he steps on the clay in order to work it (Is. 41:25); and he forms his vessel on the wheel (Jer. 18:3). Much of the pottery of the East is made in a very simple way. The craftsman turns the wheel with his feet, and with his hands he shapes the pot. These vessels are extremely fragile, and this is often mentioned in the scriptures. This is how the Lord will subdue his enemies: he will crush them like a potter’s vessel (Ps. 2: 9; Is. 30:14; Rev. 2:27). The potter, by making his vessels as he wishes, constitutes a beautiful illustration of the power of God as Creator, and it is applied to Israel (Jer. 18: 2-6). He is also illustrative of the sovereignty of God (Rom. 9:20, 21).

Source: New Illustrated Bible Dictionary

Pottery or the art of making clay pots, kneaded with the hands or feet, modeled on the wheel or on the wheel and baked in the oven, is one of the oldest ways of making objects. There is no doubt that the Hebrews used earthen pots and containers both on their march through the desert and during their sedentary sojourn in Palestine.

Already the book of Genesis presents God, in a plastic and catechetical way, modeling the human being from a piece of clay (2,7). Likewise, the prophets and sages make the potter the image of divine sovereignty over creatures (Is 29,16; 45,9; 64,7; Jer 18,2-7; Si 33,13). In Egyptian monuments, as in many biblical texts, the technique and procedure used in the art of pottery are described in detail (Jer 18,1-4; Si 38,29; Sap 15,7). Famous is the Pauline interpretation, supported by the metaphor of the potter and the clay pot: “Who are you to ask God for an account?” (Rom 9,20-21).

According to the first book of Chronicles 4,23 there was in Jerusalem a royal establishment of potters, from whose location and from the clay rubble thrown there, it may have received the name of the Potter’s Field. The Potter’s Field, in the Hinnon valley, south of the Siloam pool, would have changed its name, according to the Christian explanation, to Haceldama (Field of Blood), because the Jewish priests bought it with the coins of the betrayal of Judas, who, being the price of blood, could not enter the Temple treasury (Jer 19,2s; Mt 27,7,10).

by Villapadierna

FERNANDEZ RAMOS, Felipe (Dir.), Dictionary of Jesus of Nazareth, Editorial Monte Carmelo, Burbos, 2001

Source: Dictionary of Jesus of Nazareth

Man who is dedicated to making pots, plates and other vessels of baked clay. The literal meaning of the corresponding Hebrew term (yoh tserʹ) is “former” or “one who forms” (Jer 18:4, ftn), while the Greek term (ke ra meus) is from a root meaning † œmixture† , meaning that perhaps alludes to the need to add water to the mud or clay in order to work with it. Since ancient times, potters have molded the clay to make vessels with it, which they then hardened through a firing process, thus obtaining utensils that did not soften when wet. The potter could work alone, but sometimes he had assistants, usually apprentices. It seems that at one time there existed among the Hebrews a group of royal potters. (1Ch 4:21-23.)
The steps that the potter used to follow were: wash and clean the clay of impurities, let it rest and tread the wet material with the feet to make it pasty and malleable. (Isa 41:25) He Next he kneaded it by hand and then placed it on the potter’s wheel.
The ancient wheel or potter’s wheel was usually made of stone (although sometimes it was wood) and consisted basically of a flat disk centered on a vertical axis that was rotated horizontally. To give the disk stability and pick up speed as it was spun by hand, some heavy material was placed on the rim. Later a larger and heavier lower wheel (on the same axis as the upper wheel and also rotating horizontally) was added, allowing the seated potter to turn the wheels with his foot.
The potter put the ball of clay on the wheel, and as it turned, he formed a vessel with his hands. (Jer 18:3, 4) Then, perhaps, he would dry it a bit in the sun and place it again on the wheel, where he smoothed and polished it by means of pebbles, shells, or some instrument, and then patterned it on the wheel. the surface. Methods varied, but he could give it a rope-like design, for example by pressing a twisted rope against the still-wet piece. The vessels were often painted decoratively. Others were glazed (Pr 26:23) and then fired in a pottery kiln. Or, colored liquid paste (potter’s clay in semiliquid form) could be applied to the piece for decorative purposes, after which it was refired in the kiln.
The potter made everything from large jars (Lam 4:2) to lamps, ovens and toys, such as dolls and animal figures. He also made bowls, cups, jars, and other containers (Le 15:12; 2Sa 17:28; Jer 19:1; Lu 22:10), as well as pots and some pans. Earthenware items were sometimes stamped to show where they had been made, and the potter would often stamp his or her own ‘maker’s mark’ on a pot handle.
Sometimes the potter would use a mold into which he would squeeze the clay so that the details would be engraved. This is how lamps used to be made in later times. Two pieces were formed and, before the mud dried completely, they were joined together. From time to time some items were shaped by hand without using the wheel. However, the potter used to use the wheel or potter’s wheel.
Pieces of clay pots have been discovered quite frequently, and sometimes in large numbers, at archaeological sites. (See POTTERY.) Archaeologists believe that the various kinds of pottery found at these sites help to determine the presence of different cultures and to estimate the corresponding period of occupation, based on the strata excavated at the site. They have also tried to determine the population density that the area had in ancient times, based on the number of fragments found in the place.
The potter’s authority over the clay is used as an illustration to show Jehovah’s sovereignty over individuals and nations. (Isa 29:15, 16; 64:8) The house of Israel was to God “as clay in the potter’s hand,” He being the Great Potter. (Jer 18:1-10) Man is in no position to contend with God, just as clay would not be expected to challenge the one who shaped it. (Isa 45: 9) Just as an earthenware container can be crushed, so Jehovah can bring devastating calamity on a people as punishment for his wickedness. (Jer 19:1-11)
Regarding the God-given authority exercised by the messianic king over the nations, it was foretold: “You will break them with an iron scepter, as if they were a potter’s vessel you will shatter them.” (Ps 2:9; compare Da 2:44; Re 2:26, ​​27; 12:5.)
From a single lump of clay, the potter could make a vessel for honorable use and another for dishonorable use, that is, for common or ordinary use. Similarly, Jehovah has authority to mold individuals in the way that pleases him, and he has tolerated the wicked, or “vessels of wrath purposely made for destruction,” which has worked for the benefit of the wicked. “vessels of mercy,” the people who make up spiritual Israel. (Ro 9:14-26.)

Source: Dictionary of the Bible

1. kerameus (kerameuv”, 2763), potter (from kerannumi, to mix, similar to keramos, potter’s clay). It is used: (a) in relation to the “potter’s field” (Mat 27:7,10); (b) illustratively, of the potter’s right over the clay (Rom 9:21), where the introductory “or” suggests the alternatives that either there must be a recognition of God’s absolute choice and power, or a denial that the potter has power over the clay. There is no suggestion of a creation of sinful beings, nor of a creation of anyone for the simple purpose of punishing him. What the passage exposes is God’s right to deal with sinners on the basis of his own purposes.¶ Note: The adjective keramikos is translated with the adjective clause “potter’s” in Rev…

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